Throughout the history of theater, various acting methodologies have emerged, shaping the craft and pushing the boundaries of performance. Two prominent figures in this realm are Stella Adler and Konstantin Stanislavsky. While both were influential acting theorists, they approached their craft with distinct perspectives, each expanding upon and diverging from the other in unique ways. In this article, we will delve into the contributions of Stella Adler and explore how her ideas both built upon and deviated from Stanislavsky's foundational concepts.